Posts in: Wendell Berry

Wendell Berry, Hannah Coulter (p158):

Sometimes, a haunted old woman, I wander about in this house that Nathan and I renewed, that is now aged and worn by our life in it. How many steps, wearing the thresholds? I look at it all again. Sometimes it fills to the brim with sorrow, which signifies the joy that has been here, and the love. It is entirely a gift.

I’ve heard it said that grief is the price of love, and that seems true to me. Love is a great risk; only the indifferent are safe. But what good is such safety?

Wendell Berry, Hannah Coulter:

The living can’t quit living because the world has turned terrible and people they love and need are killed. They can’t because they don’t. The light that shines in darkness and never goes out calls them on into life. It calls them back again into the great room [of love]. It calls them into their bodies and into the world, into whatever the world will require. It calls them into work and pleasure, goodness and beauty, and the company of other loved ones.

… No big happiness came to me yet, but little happinesses did come, and they came from ordinary pleasures in ordinary things: the baby, sunlight, breezes, animals and birds, daily work, rest when I was tired, food, strands of fog in the hollows early in the morning, butterflies, flowers. The flowers didn’t have to be dahlias and roses either, but just the weeds blooming in the fields, the daisies and the yarrow. I began to trust the world again, not to give me what I wanted, for I saw that it could not be trusted to do that, but to give unforeseen goods and pleasures that I had not thought to want.

Finished reading Nathan Coulter by Wendell Berry. 📚 This was his first novel but my edition is the revised 1985 paperback. He edited it so that it would fit in what would become the overarching history of the Port William membership. I think I’ll read Hannah Coulter next.

Wendell Berry, “It All Turns on Affection”:

For humans to have a responsible relationship to the world, they must imagine their places in it. To have a place, to live and belong to a place, to live from a place without destroying it, we must imagine it. By imagination we see it illuminated by its own unique character and by our love for it. By imagination we recognize with sympathy the fellow members, human and nonhuman, with whom we share our place. By that local experience we see the need to grant a sort of preemptive sympathy to all the fellow members, the neighbors, with whom we share the world. As imagination enables sympathy, sympathy enables affection. And in affection we find the possibility of a neighborly, kind, and conserving economy.

Wendell Berry, “Renewing Husbandry”:

I remember well a summer morning in about 1950 when my father sent a hired man with a McCormick High Gear No. 9 mowing machine and a team of mules to the field I was mowing with our nearly new Farmall A. That memory is a landmark in my mind and my history. I had been born into the way of farming represented by the mule team, and I loved it. I knew irresistibly that the mules were good ones. They were stepping along beautifully at a rate of speed in fact only a little slower than mine. But now I saw them suddenly from the vantage point of the tractor, and I remember how fiercely I resented their slowness. I saw them as “in my way.” For those who have had no similar experience, I was feeling exactly the outrage and the low-grade superiority of a hot-rodder caught behind an aged dawdler in urban traffic. It is undoubtedly significant that in the summer of 1950 I passed my sixteenth birthday and I became eligible to solve all my problems by driving an automobile.

Two things:

  1. When I drive I become a different person. I am normally a patient person—but not when I’m driving. I become aggressive. I call people assholes. I would never do that in person! (And not just because I wouldn’t want to get in a fight.) I offer this as a counterpoint to those who would suggest that our tools (using that word broadly) are morally neutral. They do, in fact, train us in certain ways of being.
  2. Berry’s story is another example of Illich’s ideas about the development of tools

Finished reading Jayber Crow by Wendell Berry. Beautiful and heart-breaking. I think I’ll keep working my way through his fiction.

Wendell Berry, Jayber Crow (p248):

All I can answer is that I did love her all her life—from the time before I ever saw her, it seems, and until she died. I do love her all her life, and still, and always. That is my answer, but in fact love does not answer any argument. It answers all arguments, merely by turning away, leaving them to find what rest they can.

That’s certainly one of the most beautiful things you’ll read all week.

I’ve been an admirer of Wendell Berry for over twenty years now—but, weirdly, I’ve only ever read his essays and poetry. I finally picked up one of his novels, Jayber Crow, and it’s being narrated in my head in Uncle Wendell’s mournful baritone. It’s a lovely experience.